Lucia di Lammermoor for Shutdown Era

Misery loves company. Maybe cliché. But the fact is that watching the torment of a young girl forced into an unwanted marriage, albeit only on stage, helped alleviate the tension on the 34th day of the government shutdown and fear of the misery it could produce.  Maryland Lyric Opera's Young Artists Institute presented Donizetti's opera Lucia di Lammermoor at the Clarice Smith Performing Arts Center at the University of Maryland, College Park. In the opera,  a sister is used and manipulated by her brother in the name of the family's honor, something more important than her. It ended tragically. Some 800.000 government workers have been used and manipulated in the name of a greater goal, something more important than their livelihood. We hope it won't end tragically.

Lucia is based on Sir Walter Scott's romantic novel The Bride of Lammermoor set in the 17th-century Scotland and, according to some sources, on a real life event. Lucia is in love with Edgardo, a young man from a rival clan, while her brother is arranging a marriage for her to save himself and the family name from ruin. She is bullied, threatened, betrayed and coerced to the point of exhaustion. But only when she is convinced there is nothing left to live for, she succumbs.

Three hundred plus years after Lucy of Lammermoor (or Janet Darlymple, whose story inspired Scott) millions of young girls worldwide are equally forced to marry for the benefit of the family, often before reaching adulthood. They are controlled, bullied and threatened at what is supposed to be their home, but feels more like a prison. If they manage to flee, they are hounded, caught and beaten into submission, or disposed of. If they do reach freedom, they are disowned.

I am not talking only about Saudi Arabia, Pakistan or Afghanistan. A new bestselling memoir, "Educated" by Tara Westover, reminds us that the United States is no exception. So we applaud young Saudi Rahaf al-Qunun, whose escape was successful and whose future in Canada will be in her own hands, her mistakes her own, and her success also her own.

Maeve Höglund as Lucia and Yi Li as Edgardo in MDLO's production of Lucia di Lammermoor

Maryland Lyric Opera could have moved Lucia out of Scotland - such transfers are common in new opera productions. But it chose not to, despite a large number of Asians in the cast.
In the end, it may have been the best decision. The performance turned out to be surprisingly convincing for a lesser known company and mostly unknown cast.

In my view, the relationship between Lucia and her brother is central to the opera, not the tragic love story. If the two singers portraying the Ashton siblings are weak, the performance is doomed to fail. MDLO's Lucia, Maeve Höglund was utterly captivating, once she overcame initial self-consciousness. By the time she reached the famous "mad scene", immortalized by Lily Pons, Maria Callas and Joan Sutherland, she really let go, while retaining control of her voice and precision of her delivery. Höglund was a thrilling Lucia.

SeungHyeon Baek as Lucia's brother Enrico had a commanding stage presence due mainly to his powerful baritone and expressive vocal delivery. In terms of acting, his facial expression did not change at all at any point in the evening. Perhaps it was a deliberate effort to show the brother's insensitivity. But when Lucia breaks down, Enrico expresses remorse, as well as fear for his future. Some of this should reflect in the performer's face.

Yi Li's Edgardo was no match to Höglund's Lucia. He visibly and audibly struggled with the high notes and with the Italian language. "L'alma innamorata" from one of his two final arias sounded like "l'arma innamorata." He has a lot of work still to do to improve his technique so he can inhabit his role more naturally.

Second act sextet, Lucia di Lammermoor

Bass Wei Wu was a remarkable Raimondo. In addition to his ringing voice, he made a good effort at acting. The clumsiness in his last act encounter with Yi Li is more likely an omission in directing, than in Wei's acting. Instead of trying to prevent Edgardo from stabbing himself, Wei's Raimondo stands right next to the desperate man and does nothing but call him "sciagurato."

My personal favorite was Roy Hage, a unique Arturo. Hage stepped on the stage with the swagger of a proud young man, with a conquering smile and puffed up chest. He strutted around like a peacock, shaking hands with men and nodding to women, secure in his welcome. In most productions Arturo comes off as an insufferable snob or just a bore, but this one was charming and likable. I am looking forward to seeing him again.

Yang Chen was a promising Normanno and Daiyao Zhong was a gentle and caring Alisa. She also would benefit from some additional Italian lessons.

The choir and orchestra under the baton of Maestro Louis Salemno did a wonderful job. Kudos to the harp and piccolo.

The set and costumes were as good as anything you see on the Kennedy Center's opera stage, except for the shoes. They were clearly from the present era and did not match the costumes.

One of Donizetti's most successful works, Lucia has two crucial pieces - the second act sextet and Lucia's mad scene. The first is a climactic confrontation between the feuding families, which needs to rouse the audience and keep it on its toes. The second requires a soprano with the stamina to deliver the long aria with a fresh voice after singing and acting throughout the first two acts. In addition to that, the interpreter needs to project the various emotional stages of the maddened girl and gain compassion.

MDLO triumphed in both and Thursday's Lucia can be considered a resounding success for the company of mostly young singers with limited stage experience.

Keep up the good work!

Whither Saudi Arabia?

Saudi Arabia has sent a team of about 200 men to the 2014 Asian Games in Incheon, South Korea, held September 19 to October 4.  But there are no Saudi women at the multi-sport competition that takes places every four years. The Human Rights Watch says arrests, trials, and unfair convictions of peaceful dissidents are on the rise in the oil-rich kingdom. Beheadings are still carried out as a form of punishment, even for minor offenses such as smuggling hashish or witchcraft, as the country implements the strictest form of the Islamic law. But some analysts say that the rulers have also relaxed some social strictures in recent years.

Tribal traditions and the modern technocratic world clash in the country where Islam was born. Saudi Arabia has seen more change in the past six decades than in the previous 13 centuries. For some, it has been too much, for others too little.

Riyadh, the bustling and ultramodern capital of Saudi Arabia, was little more than a quiet outpost until the mid-20th century. Like most developments in this wealthiest of Arab nations, the city’s dramatic transformation was financed by the oil industry. Saudi Arabia’s vast natural oil reserves, one quarter of the world’s total, have enabled it to develop exemplary health and welfare systems, free education, a modern well-equipped military force, and an infrastructure that includes an excellent road system.

Khurais oil field,  Saudi Arabia

But in terms of social developments, the oil wealth has had little impact. Saudi Arabia has remained a tribal society, ruled by a royal family with seemingly complete power over its people.

“I think one problem with Saudi Arabia is, that like many countries, there isn't one Saudi Arabia,” said Anthony Cordesman, a Middle East analyst at the Center for Strategic and International studies and author of the book Saudi Arabia Enters the 21st Century.

“If you go to the area along the Gulf Coast where the oil industry is concentrated, it’s very modern. And people there have more exposure to other states in the west. It is perhaps more liberal. The area around Riyadh and most of the internal areas in Saudi Arabia are less exposed to the West and more conservative,” said Cordesman.

Saudi Arabia’s role as the keeper of the Muslim holy cities Mecca and Medina has compelled many Saudis to adhere strictly to social and religious mores and serve as model to 1.3 billion Muslims worldwide.

“It is an intensely conservative, puritanical Islamic country. It is a country of tribes and extended families. It is still a nation of people who do not have, in broad terms, good contact with either the West or indeed, to the extent that other Arab countries do, the Middle East as a whole,” said Cordesman.

King Abdullah of Saudi Arabia

Since 1932 when Saudi Arabia was founded, it has been ruled by one clan, the Saud family. At the turn of the 20th century Abdul Aziz Ibn Saud, supported by the clan of religious reformer Muhammad al-Wahab, wrested the power from Al Rasheeds.

The discovery of oil in the early 1930’s led to the 1970’s oil boom. High oil revenues enable many Arabs to live in luxury that rivals or surpasses the west. This in turn has lured some six million foreign workers to perform highly skilled jobs as well as menial labor.

Walter Cutler, former U-S ambassador to Saudi Arabia, said this western influence outrages traditionalists.

“I think one of the sources of unhappiness among these people is that: look, when you have this vast oil income and you develop your country, what has happened is you have a lot of western technology and a lot of westerners coming in to help develop the country. In other words, you have a very large foreign presence there,” said Cutler.

So during the 1970-s when the country enjoyed bountiful oil revenues, King Faisal was killed and armed opponents of the royal family temporarily seized the holy city of Mecca. Corruption, oppression and foreign influence were among the chief complaints against the ruling elite.

The royal family tended to attribute acts of discontent to foreign groups. But the 2003 bombings of two residential complexes in Riyadh, where many Muslims lived, shocked the royal family into realizing there was home-grown terrorism.

Many analysts have said the chief cause of Arab discontent is economic as well as political. There is growing unemployment as oil revenues decline. Like most Arab countries, Saudi Arabia has a population boom. An average Saudi woman bears more than six children. The population has quadrupled in the past three decades with more than half under age 20.

Joseph Kechichian, author of several books on the Middle East, including Succession in Saudi Arabia, said a growing number of young men are educated in Islamic theology, culture and history but not in the skills needed for today’s technological industry.

“So therefore, you have a pool of unemployed young men, religiously educated and well motivated, some of whom have military training because they’ve served at one point or another in the armed forces, who are venting their frustrations against the establishment," said Kechichian. "And the establishment are not only the ruling family, but the large business holders, the established religious scholars, who have accepted the Sauds as their rulers and so on and so forth.”

According to Kechichian, the idle and increasingly destitute youths are targeted by recruiters for terrorist organizations. But many of these young men who grew up with MTV and Internet, also want a more open and democratic society.

Under pressure to change, the royal family has begun planning political and economic reforms. Cutler, who is still a frequent visitor to Saudi Arabia, said changes are coming.

“What I’ve noticed in my last couple of times there during the last two years is a greater openness in dialogue. Here I am talking about the media in particular. A discussion of social issues that one would not have expected to find in the media when I was there in the 1980-s.” 

In 2000, the kingdom revived the national consultative council, Majlis as-Shura. Although all of them are appointed by the King, some observers regard the council as a forerunner of an elected legislature that may one day share power with the monarchy.  But no one can tell if that day will come.

“It is anything but clear that if the Saudi monarchy should fall, the technocrats and the business class would not fall with them or that you would get anything other than an Islamic conservative country, which would be far less able to deal with the economic and demographic problems that Saudi Arabia faces,” said Cutler.

Most of the 150 council members are highly educated and considered to be experts in their field, making it one of the most educated assemblies in the world. More than half hold doctorate degrees and close to three-quarter are graduates of major Western universities. Only a dozen hold degrees in religious studies, which is typical in the rest of the society. But the group does not represent the nation’s diverse society, including young people, rural elements and the one third of the population that is still illiterate.

Al-Haram Mosque in Mecca, Saudi Arabia

Some analysts blame the Saudi leadership for moving too slowly on reforms. Cordesman disagrees.

“Part of the reason it is so slow is this is not a country where a conservative monarchy, sort of, sits on a progressive people, " he said. "Since the time of Ibn Saud, it has usually been a country where the monarchy, the technocrats and the business class move a very conservative people forward as fast as those people wish to move.”

Bombings, protests and other expressions of discontent in recent years indicate that some Saudis are eager for change.  But what kind of change? A lack of polls, focus groups and political research makes it hard to gauge whether the majority want to revert to a more conservative and closed Islamic society, or a democratic one open to the rest of the world.  Will young disgruntled Saudis answer the ever louder call to jihad by Islamic State militants in neighboring Iraq?

Some observers say that in such circumstances, gradual reforms are more prudent than a rapid change that could lead to violence.  Others contend that a more democratic kingdom has a better chance of survival than a hardline "Islamic" one.